October 23, 2008
Zipp is still using the ideas of deconstruction and environment he explored in his landscape video works, where he would damage the raw video and then highlight those damages when digitally capturing them. His new work continues his path of destruction and augmentation, but deals primarily with the idea of the gallery space.
He had been a lot of contract work in galleries installing and tearing down work. He couldn’t believe how wasteful galleries could be, throwing out piles of drywall, plywood and 2x4s.
As a result his tiny sculptures are scale models of galleries with the floors ripping up and the walls falling apart. The frames for his digital collages are all made from reclaimed gallery wood. And his paintings are the same colour as the gallery wall but protruding an inch from the wall to make it seem like the wall has been digitally altered.
Although the work was exciting to do, it also presented a challenge for the artist who was used to working with a computer.
“There’s no Ctrl+Z to undo something, like on the computer, I’m just taking that leap breaking something knowing it’s going to stay like that or rebuilding it. I found that really liberating as well in the end.”
Zipp also found the work to be more real. He was getting too comfortable with video. Having a single sculpture rather than a DVD that could be burned an infinite amount of times made him about his art differently and the value of it.
Zipp hasn’t abandoned video, though. He’s looking to getting back to his computer, and is using this experience to work on devising more installation-based work. He’s also looking forward to turning his lens towards the interior architectures he’s exploring in Sufacing.
“It’s almost like I’ve come full circle after this show in a way. I almost view a lot of these little things I’m doing now as story boards, because I don’t really draw. It’s my way of getting video ideas out.”
Surfacing will be on display from Fri October 24 – Sat November 29 at Winnipeg’s Semai Gallery.
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